Recently we posted a blog post entitled “Ask The Petersons“. Our intention was to get you the reader to send us questions that you had that you wanted us to answer. We have gotten several great questions and we are excited to answer them for you. Here is a question from Steve about lens flare. He writes:
“Hi Tommy and Holly, thanks for all the great info on your blog here. That interview with the Enchanted folks was very informative and inspiring!
Do you have any advice on eliminating lens flare on location shots? The photo below is from the Enchanted Images website… what a beautiful portrait!
But when I tried something similar, I wound up with 4 lovely little polygon thingies, one smack dab in the middle of my daughters face. The usually recommended lens hood might have helped me, but I wouldn’t think it would make any difference on this portrait. Any idea how they could have shot that much into the sun and not have ANY flare doo-dads?
Here’s one of the photos I had a problem with. For some reason, my daughter’s friend Brenna was not excited about the green circle on her forehead! It was taken with a not-bad but not-great lens, the Nikon 18-70 @51, on a D70.
Again, thanks for all you helpful info!”
Steve Cooper, California
Thanks Steve for the great question! I have put some thought into your question and decided that while we are not normally a “technical” blog, we are bound to run across technical problems and it’s things that every photographer has to deal with. So, while I thought of a great answer for you, I thought to myself, why not ask the author of this photo, James Hays, to answer the question for you. He was gracious enough to do just that! He responded:
“To quote Kelly McGillis in Top Gun…”The encounter was a victory, but we’ve shown it as an example of what not to do”. The camera lens is not really meant to do this, but with enough trial and error (lots of error) I can usually get it to look the way I want it.

Using sun as back light and making it this visible is great, but you still have to remain in control of it!
These were shot at 1.4 on a 35mm fixed lens and I am familiar with how this particular lens reacts to direct sun. The 85/1.2 behaves a little differently, so does the 70-200. This is why lots of trial and error is needed. When I’m wide open on the 35, the flare is very big, almost a wash and gives the images a ‘dreamy’ feel. It tends to wipe out the contrast but I usually adjust with a curves layer in post.
Now, some field tips. I am always looking for free flags and scrims. In this case, I had some trees, and when they weren’t available, I used the subjects themselves. I always try to position SOMETHING in between the sun and the lens, and then slightly move to let a little bit of the sun peek out. The viewfinder on the 5d is pretty good about letting me see what I’m going to get, even then it doesn’t always work out. You can see in the blog photos the sun is just out of frame. An inch higher, and it would have been a wash of white. The shot on the bench was with a telephoto, much easier to flag yourself with since you can be so far from the subjects. In this case, I was in the shade of the tree and they were in the sun.

As photographers, we must be masters of light. Using it as our tool at our disposal to do whatever we want! In this case, making beautiful portraits by back lighting and then bouncing light back into the subjects face. Brilliant!
The lower the sun the better, it is weaker then, and flares a bit less. As much as I love that time, it’s not always available so I have to improvise. The shot of the senior girl for example, the flare & sunlight were not really there, I added them later. Sure the sun was behind her which added a nice rim but it was very high…not the look I was after. Photoshop has a lens flare filter which is fun, but not quite as subtle as I like. For that image I used Light Factory (a snazzy lens flare plugin) to give it a little more glow.
Lens hoods help, but won’t remove the ‘doo-dads’ completely. The thing is, when you are shooting into the sun, strange things happen…welcome them!
Here is the senior shot before the added flare. Hope that helps!”

A beautiful portrait without the lens flare. Yes it's backlit but when lens flare is introduced, even if it's fake, a transformation happens!
James, Enchanted Images
Yes! That certainly does help! Wow, what an answer and thank you so much for giving such great advice James. I think it’s funny that for our very first “Ask The Petersons”, I had another photographer answer the question, but it’s all good! The question was great. The answer was great. I’m happy. We may not have answered it, but we did get the answer for you!
We will have plenty more questions and answers for you. If you have a question you’d like answered here, please email us or leave your question in the comments section at “Ask The Petersons”





