Tag Archive for 'good'

Fifteen things you need for a great senior portrait - #3 - Good Pose

Interesting posing helps senior portraits stand out from the throngs of boring senior pics out there.

Interesting posing helps senior portraits stand out from the throngs of boring senior pics out there.

Imagine for a minute with me. An older teen boy or girl leaning on a tree or perhaps hugging the tree and peeking around from behind and smiling at the camera with a big happy grin on their face.  We have all seen this, haven’t we? Tell me if I’m wrong. I’m not wrong. I’m not lying. It’s the truth and you all know it. In fact, if you were honest, you would admit that you have done this pose before. In fact, you may have just recently done it. How boring! I feel a yawn-fest coming on. How many times have you seen a senior portrait with a senior leaning up against a tree with their arms crossed. I think it’s one of those poses that end up happening no matter how much you try to run as far from it as you can.

Asking seniors to pose certain in "awkward" poses may feel strange, but if there is no harm in trying and you may be surprised how pleasing these images can look!

Asking seniors to pose certain in "awkward" and different poses can feel strange asking the senior to do so, but you may find a picture that is really appealing. There is no harm in trying different poses. It is the thing that will set your senior portrait photography apart from the rest.

Another important and not only important but crucial ingredients of a great senior portrait is a good pose. Your pose should follow good posing rules and photographic compositional rules as well as being creative and interesting. In this post, we will discuss the importance of posing seniors and how it can dramatically affect the impact that it will have on the viewer.

The first aspect I would like to examine is creativity. As I have already mentioned, there are poses that are boring and way too overdone. These will somehow creep into every session ever done, but they should not all be that way. When you are looking at the proofs when you’re done, I hope you don’t find that every pose is the senior with their arms crossed leaning on something. When I first started, with one of my first senior sessions, I noticed that I did just that. I was so frustrated and embarrassed after the fact. There should be variety and creativity in the way you pose. Sometimes asking your seniors to pose in awkward positions may seem awkward in itself, but if you come across knowledgeable and professional, then the senior will trust you. They may think, this is weird, but I like his photography, so I trust him. Don’t be afraid to try something weird or different. What’s the worst thing that will happen? It won’t look good and you can just delete it.

I will suggest using samples from magazines or photography websites to get ideas for poses. Fashion magazines and  websites are good and photography sites are great too. Websites like photo.net, flickr.com and photosig.com are excellent starting places. You can find many experienced photographers who post their work there and you can get great ideas for posing. Portra.net is also another great resource for posing, not just for seniors, but for families and children too.

Changing your position and perspective can take the same poses and make them look completely or at least very different.

Changing your position and perspective can take the same poses and make them look completely or at least very different.

Try varying cropping and framing on the same poses. Also vary camera positions and you will notice dramatic differences in the way that the photo looks and this is without even having to change the pose up.

Another thing I will suggest is try using the subjects hands and arms in the portrait. This adds a whole new element to posing. A close head shot can be dramatic, but that drama can be increased by inclusion of a hand or arm. Having the senior lean on an arm or hand can really increase interest in the photo. If you look at fashion magazines, this is very common and done often. It will go over well with the senior.

Another way to increase interest to a pose is to change camera position or the angle of the body. For example, if you raise the camera two feet above your subject and have them look up at you in the same hand or arm pose, the pose will look much different and possibly much more dramatic. Possibly it won’t work or maybe it will look silly, but you won’t know until you try and who knows, you may find that it looks amazing.

Relaxed looks can be great for seniors!

Relaxed looks can be great for seniors!

Another thing that works is to change body position. Instead of always photographing your subject straight on, have them lay down and have their head towards the camera as you photograph them or perhaps have them lean forward and shoot them from above or perhaps you can have them lean back and look over their shoulder. Just move around, move them around and shoot different camera angles and focal lengths and you’ll be surprised just how different the portraits will look from just a little variation with the camera and little to no difference from your subject. Yet your photo will look very creative and interesting.

The second aspect I would like to examine is correct body positioning. This is an important aspect of posing. There are many rules but I will just discuss a handful of them. The first aspect of correct body position is almost without exception you should pose your subjects at an angle to the camera. What I mean is this, the difference between someone who is square to the camera versus at a forty five degree is the difference between looking like a football linebacker and looking like you’ve dropped a few pounds. Regardless if the subject is overweight or not, it is important to pose all people at somewhat of an angle to the camera. Rarely does someone look good directly square to the camera. It widens them and normally does not look appealing. Unless we’re photographing a baby, I would normally not pose someone like this. The only exception to this rule is if we are possibly posing someone in a very rigid and dramatic way, then square to the camera might be a good option which will  increase the drama of it.

Another thing to remember is to make sure your subjects are sitting up straight.

Another tip is to have your subjects lean towards the camera. While this is not set in stone and not something you always want to do, it works great most of the time. If the senior has any extra weight especially, this is a good idea. Leaning the subject forward will extend the neck out and get rid of any double chins and extra weight in that area. Leaning the subject back will only emphasize the weight in their midsection. While leaning them forward, will thin anyone out. While not everyone is overweight, it’s not like it’s the rarest thing either. In fact, most people do have extra weight they don’t want to see in their portraits. While having your subject lean forward, have them lean forward at their waist. If they don’t do this, they are likely to hunch over and that isn’t good either.

Incorporating good lighting can emphasize your pose and make it more dramatic!

Incorporating good lighting can emphasize your pose and make it more dramatic!

I often tell my subjects when they say that the pose feels weird or strange that if they have to go to the chiropractor, then we are doing something right. Sometimes, not only does the pose feel weird to the subject, but it might look strange at first sight in person, like having a girl put her arm all the way behind her head. But with the right lighting, cropping and framing, depth of focus, the actual image may look amazing! It might not look strange at all but rather something quite beautiful.

What may feel funny and silly to your subject when posing, will often surprise them in how they actually look in the finished print. You see the big picture as the photographer; they don't always.

What may feel funny and silly to your subject when posing, will often surprise them in how they actually look in the finished print. You see the big picture as the photographer; they don't always. Just reassure them that they're doing great and that it's going to look amazing.

Often times, photographers who aren’t experienced are nervous to pose their subjects in seemingly awkward poses, but the truth is, the senior wants something creative and unique. That means the pose as well.

I also believe that it’s important that while photographing your subject, you do all the standard stuff, even if that includes arms crossed leaning up against a tree. Those things, the customer looks for, consciencely or subconsciously. Those things, as common as they are, is something that senior or their parents want. But another positive aspect of these seemingly “bland” poses is that they are good ways to relax your subject. Doing these poses transitions you from head and shoulder head shot, to the standard senior type portrait stuff into finally the creative and dramatic portraits that great senior portraits are all about.

Don't be afraid to try something new and different. What's the worst thing that will happen? It'll look bad and you'll have to delete it! Big deal!!!

Don't be afraid to try something new and different. What's the worst thing that will happen. You'll have to delete it? Big deal! You might find something that works really great!

I want to give you a suggestion as to how to get to the point of doing these poses that I’m talking about. The first thing to think about is, if when you very first get started, you ask your senior to lay down, put your arm behind your head, turn your head this way, look that way, turn your hip to the left and pull your right leg to the left, well, you will get a very awkward and uncomfortable subject. Your subject has to be comfortable with you before they will agree to do anything like that for you. So my suggestion is start off basic, very basic. Start with a simple straight on head shot. Consider the first few shots just getting your subject used to being in front of you and the camera. Then slowly start incorporating hands, arms, leaning, laying, etc. You could even begin with your subject not even looking at the camera. Slowly but surely get into the creative and dramatic head tilts, shoulder angles, hand poses, and so on. When your subject is beginning to loosen up in front of you, that’s when it is time to take it to the next level. Go with their comfort level, but do what ever you can to get to that level. That’s where the truly great portraits will be.

Different camera positions and giving your senior something to do with their hands can really add interest to your shots!

Different camera positions and giving your senior something to do with their hands can really add interest to your shots!

While most think about things like expression, color, post production or other like things when they contemplate what makes a great senior portrait, I hope you now realize just how important a simple thing such as posing is. Want to make dramatic and beautiful senior portraits? Be a poser!

If you enjoyed this post, it is part of an on-going series called, “Fifteen Things You Need for a Great Senior Portrait“. We will be posting it every Wednesday. So, if you want to learn more, make sure you check it out!!!

Fifteen things you need for a great senior portrait - #1 - Good Subject

This may seem strange for me to list that the first thing you need is a good subject, because of the fact that we’re not talking about fashion models or paid models, but we’re talking about customers who are paying you to photograph them and make the best portrait of them you can. So no matter what they look like, you have to perform your magic on them. So why do I say, the first thing you need in order to make a great senior portrait is a good subject? The reason is, unless you have a good subject, you won’t get a great portrait.

So what exactly makes a great subject? The first thing you need in a subject is a good attitude. One that is willing to take direction and cooperate in order to get the best portrait from you. The second is you need a subject who is willing to take your direction is explaining to them exactly how to make them look their best and most appealing. Not every subject is a supermodel. So if you have a subject who is overweight, then you don’t want them dressing like a supermodel. Something more reserved and something that hides the unwanted weight and accentuates the better features of them, for example their smile or their eyes. If a really heavy subject wears a tank top and shows off their flabby arms, then how do you think you can best flatter them. It will be difficult. It won’t be impossible, but indeed difficult. The point is to ensure your subject trusts you and is willing to take direction from you, the professional. You don’t have to be rude and say, you’re fat. But you can just suggest that in order to make them look their best, they should wear such and such or don’t wear this or that. That’s what makes a good subject. Not the fact that they look like Will Smith or Jennifer Aniston but the fact that they trust you and listen to your suggestions to make them look the most appealing that you can.

Another thing that makes a good subject is one who is excited about the entire process and wants to do whatever they can to help you make the best possible portrait of them. A good sign is that they suggest ideas, get excited with your ideas, remain positive throughout the session, maintain an open mind with your suggestions, etc.

These are the things that make a good subject. Most of the time, this is the least area of concern. Most seniors have great attitudes. They want to be there. They want to look good. They want to try “something different”. They aren’t usually opposed to your creativity. In fact, often times while they trust you and trust that you have good ideas, they bring their own to the table. A good idea is to tell them to bring ideas that they would like to use, like other examples from their friends, clippings from magazines or even pictures printed from the internet. In this day and age, teens are very self aware of their appearance and want to look amazing. They are very self conscience and will pretty much try anything. Getting cooperation is usually not going to be an issue. Rarely do you have a parent who drags in a senior “kicking and screaming”. Take plenty of portraits and get plenty of choices. There is usually quality in the the midst of quantity.

Again, you don’t don’t need to be a supermodel on the outside, it’s the attitude that’s on the inside that will make a great subject.

Don’t forget the snacks!

Have you ever driven across Texas on I-10? If you haven’t, allow me to paint a picture for you. My wife and I were leaving my home town of Galliano, LA and we were on our way to Tucson, AZ, Holly’s home town. Galliano just south of New Orleans which is situated on I-10 and the same interstate runs right through Tucson. So basically, we just had to hop on the highway and go west some 30 hours or so roughly. The majority of the trip is through Texas as you might imagine and while we both love taking road trips, once you get into west Texas on I-10, you start having thoughts of despair. It is probably the longest stretch of highway in America that is that rural and isolated. Perhaps I-70 in western Kansas may have it beat, but I doubt it.

Do not attempt a trek across a wasteland such as western Texas without being prepared with fuel and rations.

Do not attempt a trek across a wasteland such as western Texas without being prepared with fuel and rations.

Anyway, if you ever drive through there, you have to mentally prepare. You must also prepare with filling the tank before you go too far. There are some stretches of the highway where you won’t see a gas station for many many miles. So if you are running anywhere near low, you had better fill up before you go into one of those ridiculous long stretches of empty highway. In fact, western Texas is so big that I once heard a university in El Paso will play schools in Southern California, but they will not play eastern Texas schools because the distance is too far. I don’t actually know if this is true, but I wouldn’t doubt it. Anyway, the point of this story is that if I were driving through this enormous desert wasteland ever again, I would ensure I did two things. I would fill my tank with gas and fill up anytime I thought I might be running even close to low and the second would be keep nourishment in the car. I would pack all types of snacks and goodies to eat.

Trail mix like this can save you from feeling faint and can nourish you to give you the energy you need to make through a long day of shooting.

Trail mix like this can save you from feeling faint and can nourish you to give you the energy you need to make through a long day of shooting.

Now as you think about this, you may say to yourself, there’s no way I would want to go that long without eating, so I would prepare for this with aforethought to what conditions might be present if I didn’t prepare. The same should be thought about when going on location to shoot. Now I don’t mean a simple photo shoot that you know will be over in a matter of minutes or even an hour. But rather what I am referring to is photographing an event such as a wedding or labor and delivery photography. And just as it would be foolish not to prepare for a long trip without bringing rations, the same can be said of attempting to tackle an entire day of shooting with nourishment. With a normal 9-5 type of job, there are scheduled breaks, and times that you can take a lunch break. But in these types of job situations, sometimes it is not feasible or possible to take a break for lunch. Sometimes all you can do is eat on the go. It’s not that you necessarily don’t want to take a break and sometimes you might even have time set aside for a break, but in these situations, you don’t always get to take them.

I’d like to give two examples that happened to me that taught me a lesson. Recently, I photographed a wedding that was an all day affair. There was supposed to be lots of breaks throughout the day so as I planned for the day, I planned with the idea that I would be able to take a break here or there and grab something to eat. Now I am accustomed to eating small portions, so I wasn’t very concerned that I wouldn’t be able to eat a full meal for the whole day. I just wanted to make sure that at least a few times of the day I could eat something small to keep me going. To make a long story short, I ate at nine o’clock in the morning and didn’t get a chance to eat again until eight o’clock that night. That’s eleven long hours! I was on my feet the whole day, rushing around trying to get photos of the entire day and practically forgot about eating. Then about five o’clock when were really in the thick of it, I got desperately hungry. I needed to eat! But I didn’t have the time and I didn’t pack any snacks! Big mistake!! I should have packed some granola and threw it in my pocket or camera bag. I became light headed and weak and I know, though we still did a good job, that I didn’t do as good a job as I could have had I been feeling better from the energy that food at the right time would have given me. The thing is, it doesn’t only affect you, it affects your clients, because you can’t give them the absolute best service possible. Thankfully, we did get good portraits and event photographs from throughout the day that it didn’t really matter that those shots maybe were not the absolute best. Overall, they were very happy with everything.

The other example that I remember was when my wife was having our son Moses. We were surprised by when she went into labor. Though she was like almost a week past her due date, it was our first child and we were still surprised when her water broke and she went into labor. As bad as my memory is, I remember that day extremely well. I don’t really remember what happened before that point, but after she called me on the cell to tell me her water broke, I was on my way to her quicker than a jack russell terrier after a Beggin’ Strip. I got her to the hospital probably breaking every speed limit from our house to the hospital thirty miles away. My adrenaline was pumping and I don’t think I had ever been that excited or nervous before in my life. I was in another world. The last thing on my mind was food. I was going on empty but I couldn’t tell because adrenaline covers a mulitude of missed meals. And while I was able to have enough energy to not only help my wife through the first hours of her labor, delivery and photographing the whole thing, I did get weak towards the end. I had no earthly clue how draining the whole experience would be. (My wife laughs at me because “I” say it was draining for “ME”! HAHA!!) It wasn’t long after she gave birth to Mo that we trying to catch some ZZZs. I quickly passed out and was so exhausted that when my wife went to the bathroom and passed out, I didn’t even notice. What a memory! The point is, again had I been nourished, I wouldn’t probably have dealt with the situation in the same way.

There are many days that I shoot all day long. But for the most part, I always carry snacks with me. Even if it’s only a banana or something small like a couple cookies or trail mix.  It might be the only thing I get to eat all day and I don’t want to be put in a situation where I might “run out of gas!” Even a softdrink is better than nothing, however empty calories with lots of sugar usually doesn’t make you feel better in the long run.

Again, it’s not only your health and your quality of life during the day to be concerned with but it can also affect your paycheck! So, on my checklist everyday is “Don’t forget the snacks!”


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